Age: 14
Sex: easily found in the classifieds, especially under the 13.4 Escorts headline
Likes: full-page commercial advertising and, naturally, my blog
Dislikes: anyone else having a huge foreigner-friendly all-you-can-drink bash on October 30th, deadlines, and, hopefully, Ulrica Marshall's writing in an otherwise great idea, "Join the Club"
(Seriously, Ulrica! Your sentence that ended with, "I've never seen more beautiful women in such awe-inspiring kimonos before or since" was just dreadful. If that were true, which is unlikely, you should have approached that statement with more flair, less cheese. Next time try something along these lines: "The women adorning the City Club of Tokyo are exquisite ornaments, as are the silk kimonos draping their enviable figures." You could even give it a twist by adding, "It appears as though their sole purpose in this world is to accompany wealthy men to exclusive establishments such as these, and, it seems, make the rest of us look fat.")
Natural habitat: 36,000 desks, mailboxes, and doctors' offices all over Japan
I was first introduced to the glossy pages of Metropolis a year ago this month. Every Friday a polite Japanese girl with surprisingly good English would hand-deliver the newest edition to V's Oakwood suite in Aoyama. While V was off doing whatever it is lawyers do during the day, I'm guessing it involves baby-eating, I was plopped on top of an unmade bed enjoying 66 pages of Japan related English goodness.
One year later many things have changed. Instead of visiting my boyfriend in Tokyo, I now live with my boyfriend in Tokyo. Instead of bitching about the people who stare at me on the subway, I now blog about the people that stare at me on the subway. And, instead of reading Metropolis in a messy corporate apartment on a messy unmade bed, I now read it in a messy apartment in Minato-ku on a messy unmade bed. There is one key difference though, and it is a much more poignant, much better reflection of my experiences in Tokyo thus far, and I'm not referring to V's three-legged bed being held up on one side by a thick stack of law books.
When I originally began reading Metropolis I did not feel any attachment to its pages, not even the on-point movie reviews which are nothing less than perfect. Now I feel almost too familiar with Metropolis. Not only have I exposed several of the leeches in its classifieds for the pathetic adulterers that they are, but I have recognized my own face, staring back at me, in those same classifieds, right next to the same kind of ad that I would have eviscerated with Operation Diddily Squat had it been a different face and two weeks earlier.
Fueling this attachment, I can also recognize names now. Ulrica Marshall is one, Beau Miller is another. I don't know Beau personally but I might have if I had interviewed to be a contributing writer for the Tokyo Explorer Residents' Guide like I had arranged to last October, but never did. I do know, albeit only in the form of countless email exchanges,The Head Nacho, whose name I won't divulge for several reasons but mainly, and most importantly, because I respect him.
I also know a different name, the name of the Editor in Chief, whose professionalism, as well as a few other things, will be discussed more in a later paragraph.
More than the classifieds and the recognizable names, I feel a special fondness for page 66, specifically the three weeks it features The Last Word. Sometimes The Last Word
is well written, but more often than not
it's not. Despite this, even if it fails to to be informative or entertaining or even a good coffee coaster, The Last Word always succeeds in representing the author, making it close in form and function to a blog, something I appreciate for obvious reasons.
Which is why, understandably, I was excited about being published under the name Tokyo Cowgirl in this week's The Last Word. Following a jarring week of surreal hell,
an agreement was made between my boyfriend the lawyer and The Head Nacho from Crisscross KK, the owners of Metropolis and Japan Inc. No, there were no legal documents swimming in fine print or monetary damages awarded, there was just a simple handshake in the form of a conciliatory email with the promise that I would have the last word, literally, on October 24th.
I wrote out an earnest 800 word essay about the benefits of provocative, controversial blogs in Japan and submitted it to The Head Nacho
by the agreed-upon deadline, October 3rd. He wrote me back a very kind email stating that my article was, in a word, excellent, and that the Editor in Chief would be contacting me, to which I responded with a kind email of my own albeit with a few unfortunate spelling mistakes. Not only was I satisfied that an otherwise inflammatory situation had ended amicably and without a lawsuit, I was ecstatic at the prospect of being published in shiny print for the first time, too.
Last Monday I emailed The Head Nacho, gently asking when the Editor in Chief would contact me as my Last Word publication date was less than five days away. He responded courteously, assuring me that the Editor would contact me very soon, and again, falsely satisfied, I let the subject drop.
Yesterday, the day before I was supposedly going to be published for the first time, the EiC finally contacted me.
"Greetings. My name is (I have removed the name but it's available for your viewing pleasure on The Metropolis website, right beside the label Editor in Chief), and I’m the editor of Metropolis magazine. I want to apologize for taking so long to get back to you about your Last Word article. I have some suggested edits, but I’ve been too busy recently to find the time to gather them together and send them along; I will try to do that in the next week or so. Thank you for your patience, and I look forward to working with you on the article."
Regardless of whether the Editor in Chief needs a better day-planner, or if he is just incompetent, this egregious misstep is very disappointing. A little over a month has passed since I first discovered
the fraudulent Tokyo Cowgirl personal ad and yet here I am finding myself in a similar situation. Again I have to consult with "my lawyer" before posting a blog, again I find myself inundated with incessant apologies from The Head Nacho, and again I am being offered more olive branches, more promises, the most important of which is a future November 14th TLW publication date.
Believe it or not, I'm not mad. I am however, thoroughly disgusted. Metropolis has failed me, again, and betrayed my trust, again. Why on earth would I want my article inside of a publication that so clearly doesn't take me or itself seriously?
I don't.
Not only am I not going to allow Metropolis to further compromise our original agreement, I'm not going to allow them to publish anything, not one word, of My Last Word. It's true that I desperately want to be published, but no, I will not sacrifice my pride just so I can half-heartedly accomplish that goal by way of a cheapened victory. This is not about vindication and this is not about retribution. This is about me, the 27 year-old makeup artist turned nonprofit worker from Texas that blogs almost every single day, practicing for that one day when my name, my real name, might be printed above a polished, well-written article devoid of any angry four-letter words.
So, readers of my blog, friends and scrunchie wearers and English teachers and Charisma Men alike, this is my October 24th publication date, this is what I offer you instead of my previously written 800 words about blogging.
This is My Last Word.